SEASON TWO
Episode 20: Prodigal Son
Scenes from the DVD set's "Final Shooting Script"
that do not appear in the episode.
SCENE ONE
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SCENE TWO
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SCENE THREE
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SCENE FOUR
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SCENE FIVE
The name 'Martin Hyde' embellished by an ornate crest, a black dragon spitting flames.]
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SCENE SIX
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SCENE SEVEN
INT. MacLEOD'S BARGE DAY RICHIE - [pacing] But he's an Immortal! Why didn't he try to take my head? MacLEOD - He'll take it if he can, someday.
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SCENE EIGHT
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SCENE NINE
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SCENE TEN
MacLEOD - Richie . . . Wait!
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SCENE ELEVEN
EXT. POLICE HEADQUARTERS DAY [Establishing the cold grey exterior, as over this we hear--] BARDAU - [O.S.] All right. Turn to your left.
INT. POLICE HEADQUARTERS LINEUP ROOM / VIEWING ROOM [Camera pans across a lineup of suspects: five men, fairly close in age to Richie, some shuffling nervously, dressed in similar scruffy clothes, all holding numbers before their chests, until camera stops on Richie.] [Second from the end, he is number four. He looks tight and exhausted, as the entire group of suspects turns to face the left, holding that profile for a beat, then we hear:] BARDAU - [O.S.] [over intercom] Face front. [As the suspects all turn to face the front, we pull back to find we are inside a dimly lit viewing room, behind a two-way mirror where two women sit, examining the suspects.] [Closer on Veronique Bardau as she reaches a hand to cover the microphone before her and turns to face the attendant's wife, somber, dressed in black, her eyes locked on Richie.] WIFE - [bitter] That's him . . . Number four.
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SCENE TWELVE
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SCENE THIRTEEN
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SCENE FOURTEEN
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SCENE FIFTEEN
[MacLeod smiles at Richie's spirit and turns to the Guard.] MacLEOD - Could we have a moment? [The Guard shrugs and moves away. MacLeod turns to Richie.] Hyde came by.
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SCENE SIXTEEN
MacLEOD - But not everyone can prove it. BARDAU - And you can? MacLEOD - I'll be in touch.
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SCENE SEVENTEEN
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SCENE EIGHTEEN
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SCENE NINETEEN
INT. POLICE HEADQUARTERS VISITORS ROOM DAY [Richie sits behind the table as Maurice enters carrying a paper bag. Maurice speaks up loud enough for the Guard to hear.] MAURICE - So I've discussed your case with my partners in the law firm and we believe you have an excellent chance if you plead insanity. RICHIE - [incredulous] What are you talking about? MAURICE - [sotto voce] I had to tell them I was your lawyer to get in here. [re bag] I've brought you your lunch. [Richie opens the bag and takes out a hamburger and fries. He bites into it.] MAURICE - It's cold . . . They went through everything. [beat, with scorn] They thought I'd hide a machine gun in the pomme frites. [Maurice watches the Guard watch them. He responds in a loud voice.] MAURICE - Yes, I understand . . . You are hostile because you are a middle child. RICHIE - You're some piece of work, Maurice. [beat] Thanks for lunch. MAURICE - Duncan says you're a good guy and that's good enough for me. RICHIE - When I get out of here, I'll owe you one. MAURICE - Maurice doesn't need repayment for an act of friendship . . . However, one hand does wash the other. [beat] I understand you haven't hired a lawyer yet. RICHIE - I'm innocent, Maurice. Mac's going to get me out of this. MAURICE - Of course he will. [withdraws a card from his pocket and puts it on the table] But just in case, my sister's son Henri is a brilliant young lawyer. [beat] He's having a little trouble getting his career started. He's only had one client. [beat] A case like yours . . . his name in the newspapers representing the Butcher of Marseille . . . RICHIE - Is that what they're calling me? MAURICE - Journalists are pigs. RICHIE - I'll think about it. [slips the card into his pocket] MAURICE - You won't be sorry. [The Guard points to his watch, signaling that the meeting is at an end.] MAURICE - I think it's time. [beat] And don't worry. If MacLeod says he'll get you out of here, he will, no matter what the newspapers are saying. [rises] RICHIE - Goodbye, Maurice. MAURICE - If by chance things don't turn out as we all know they will . . . There's a convict at Fleury . . . His name is Big George. [beat] Don't tell him you know me or my nephew. RICHIE - Let me guess . . . Henri's first client. [Maurice nods.]
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SCENE TWENTY
INT. GUN & HUNT CLUB SHOOTING RANGE DAY [Hyde is taking target practice when he is approached by the Clerk who took MacLeod's note. Hyde frowns.] HYDE - What is it? CLERK - A note for you, sir. HYDE - From who? I gave strict orders nobody was to know I was here. CLERK - I'm sorry, sir. It's from a Mr. MacLeod. [Hyde considers a beat.] HYDE - I'll take it. [He takes the envelope and shuts the door. He opens the envelope. Insert of Hyde's business card. MacLeod's handwriting: The rooftop. 1:30.] [Resume Hyde as he crumples the card. He fires away. Close on the target as it is obliterated in a hail of gunfire. Hyde smiles to himself.]
INT. BARDAU'S OFFICE SAME TIME [Bardau is at her desk, working. The door opens and a cop pokes his head through.] COP - Line four, Inspector. It's MacLeod. [apologetic] He says it's urgent. [He exits as Bardau grudgingly picks up the phone.] BARDAU - [into phone] When are you going to stop this?
INT. PHONE BOOTH SAME TIME [MacLeod inside a phone booth, speaking into the phone.] MacLEOD - Come to the roof of the Gun and Hunt Club in twenty minutes. BARDAU - Why? MacLEOD - I'll have your murderer. BARDAU - If I come, you'd better deliver. MacLEOD - [beat] Don't be late. [He hangs up, looks at his watch -- then leaves.] [Resume Bardau. She slams the receiver down, irritated, looks at the phone -- maybe she won't come.]
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SCENE TWENTY-ONE
MacLEOD - I wonder who that could be.
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SCENE TWENTY-TWO
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SCENE TWENTY-THREE
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SCENE TWENTY-FOUR
EXT. PONT NEUF 1700 DAWN [MacLeod looks over the Seine as the dawn breaks. His face is grim -- he knows Segur isn't coming back. He lifts the bottle, slowly uncorks it and takes a light swallow.] MacLEOD - You were right, Segur. It's the best. [Then he corks it again, with finality.] But I hate to drink alone. [He drops the bottle in his bag, then strides away.]
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SCENE TWENTY-FIVE
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