SEASON THREE
Episode 2: Line of Fire
Scenes from the DVD set's "Final Shooting Script"
that do not appear in the episode.
SCENE ONE
EXT. INNER-CITY BASKETBALL COURT – DAY [Sandwiched into a low-rent, mixed ethnic neighborhood that will never make it as a retirement hot spot, a paved court surrounded by a wire fence, as we hear the calls of young men playing a pick-up game of basketball.] VARIOUS VOICES - Over here... Come on, Jamal... Take it to him... [Jamal, a young black man, yo-yos the ball up and down. It's two on two basketball. If you're not bleeding, there's no foul. Richie is guarding him and if he was any closer he'd be inside his shorts.] JAMAL - Face it, man, you're too short, too slow, and too damn ugly to guard the king. [Richie "bodies" him away from the basket as Jamal tries to turn a corner towards the hoop.] RICHIE - Not that way, your highness. [Jamal backs off. The ball still yo-ing up and down, he sets, ready to drive to the hoop.] JAMAL - I'm surprised at you, Richie. [beat] Don't you know? White men can't-- [fakes, goes around Richie, who doesn't move. He is looking at something in the distance. Jamal, underneath the basket, stuffs the ball through.] --Jump! [beat] I am bad! [to Richie] Who's the king? RICHIE - [hasn't heard Jamal] Donna...? [Donna, on the other side of the fence, is watching him. Richie moves to the fence opposite Donna. They face each other through the wire. Donna is twenty and pretty -- they had a close friendship that overflowed into passion one night two years before. Shortly after that she disappeared without a word, and this meeting is a mix of unresolved feelings and strained, tentative smiles.] RICHIE - Donna.
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SCENE TWO
JAMAL - Hey, Richie... The game!
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SCENE THREE
RICHIE - Later. [Jamal moves off.]
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SCENE FOUR
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SCENE FIVE
RICHIE - [with a smile] Guess I got lucky. [beat] You could've called. |
SCENE SIX
DONNA - Time this little man hit the sack. [As she turns toward the off-camera bedroom...] RICHIE - Donna.... [beat] You do great babies. DONNA - You, too. [She takes Jeremy into the off-camera bedroom.]
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SCENE SEVEN
ANIMAL - I said we're closed! [He goes inside, slams the big doors shut.]
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SCENE EIGHT
BARTENDER - Why? [Kern looks as if he's never considered this before. He hauls the Bartender onto the counter and slides him along it like a hockey puck, finally dumping him on the floor.] KERN - I was thirsty.
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SCENE NINE
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SCENE TEN
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SCENE ELEVEN
INT. CHURCH – CONTINUOUS – DAY [A small wedding ceremony is underway, a few onlookers watching the white-gowned bride and groom stand before a smiling Father Matthew, about to exchange vows, as behind them...] [MacLeod and Kern smash through the stained glass window, rolling onto the church floor, sending the entire wedding party screaming. MacLeod rises, realizing they're on Holy Ground, that he can do nothing. Both hide their swords. Father Matthew stands stunned.] FATHER MATTHEW - MacLeod. MacLEOD - Sorry, Father. [Between MacLeod and Kern stands the terrified young bride. Kern chuckles at the situation. He grabs the frightened bride, pulls her to him and kisses her hard on the lips.] KERN - Congratulations. [He shoves her stumbling into MacLeod, then turns and plows
through the shrieking onlookers and out the door. MacLeod
goes after him, slowed by the people, finally reaches the
door--]
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SCENE TWELVE
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SCENE THIRTEEN
[He pulls his cap down, slouches back... suddenly he's pulled over the front desk, his face inches from MacLeod's. The Clerk blanches, suddenly changes gears.] CLERK - [in a rush] Room 117, top of the stairs on
your right near the fire escape...
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SCENE FOURTEEN
MacLEOD - He'll be back. [The Clerk nods in frightened agreement. MacLeod turns to
leave.]
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SCENE FIFTEEN
INT. RICHIE'S APARTMENT – NIGHT [As Jeremy toddles across the floor to Richie, who is showing all the delight of a father in his child's achievements:] RICHIE - Attaboy, Jeremy, keep going!
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SCENE SIXTEEN
KERN - I'm not your son. FATHER MATTHEW - We are all God's children.
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SCENE SEVENTEEN
FATHER MATTHEW - Whatever you like.
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SCENE EIGHTEEN
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SCENE NINETEEN
RICHIE - [reacts, grabbing her shoulders] He was here?! DONNA - On the street...
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SCENE TWENTY
RICHIE - Would it make a difference? KERN - No.
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SCENE TWENTY-ONE
RICHIE - Go to hell. KERN - I love it when they talk tough.
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SCENE TWENTY-TWO
MacLEOD - A little oil and vinegar and you'd
be fine. [beat] Where's Kern?
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SCENE TWENTY-THREE
INT. RICHIE'S APARTMENT – DAY [MacLeod enters warily through the splintered door, looks
around the room, the spear in his hand. MacLeod's POV -- one trashed apartment. He gets the BUZZ. He looks up: Kern is on the roof. MacLeod smiles grimly and heads up.]
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