SEASON THREE
Episode 6: Courage
Scenes from the DVD set's "Final Shooting Script"
that do not appear in the episode.
SCENE ONE
EXT. PARK – BIKE PATH – DAY [Early on a summer morning. Anne Lindsey rides her bike along a reservoir path marked with "Bikes Only" signs every ten yards or so. Only a few other early birds are out. Anne's POV: Ducks on the reservoir. A young couple walking a baby in a stroller. The kind of sights that are good for your soul.] [She comes around a curve to find MacLeod jogging along the bike path, looking at his watch to check his lap time. He's right in her path.] ANNE - Look out! [She tries to swerve, he tries to swerve -- but they swerve the same way, and collide. Anne goes down in a tangle with her bike.]
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SCENE TWO
[She indicates a "Bikes Only" sign. MacLeod grins
sheepishly.]
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SCENE THREE
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SCENE FOUR
The singing was not in the original shooting script.
BACK to transcript.
SCENE FIVE
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SCENE SIX
EXT. MOUNTAIN ROAD – SWITZERLAND – 1810 – DAY [A horse-drawn carriage, the area behind the driver loaded with trunks, moves through a high forest overlooking stretches of pristine alpine meadow.] CULLEN - These Alps are getting on my nerves, Duncan.
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SCENE SEVEN
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SCENE EIGHT
EXT. WATERSIDE CAFE – DAY [The smoke of a man lighting his pipe as he's passing Anne and MacLeod as they are leaving the cafe.] ANNE - Not a lot of docs stay in trauma. [beat] You burn hot and then you burn out. [she catches herself] Listen to me... I don't even know you. MacLEOD - Yes, you do. [He stops and turns to her.] You see more life and death in one night than most people see in a lifetime. [beat] The thing to remember is that it is life and death... not just death. [Anne's eyes rise to MacLeod's and lock in the silent acknowledgment of something very special happening. She nods and smiles awkwardly.]
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SCENE NINE
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SCENE TEN
RICHIE - Should I wait up? [MacLeod shoots him a look as he goes out.]
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SCENE ELEVEN
INT. JOE'S – NIGHT [Music plays through the speaker system. Anne and MacLeod enter. She looks around. The dance floor is lit in a blue hue. The lighting in the rest of the bar is subdued and romantic. Joe's is completely empty except for them.] ANNE - Where is everybody? [They move to a table in the middle of the place. On it is a bottle of champagne and a big blue tin of caviar. He opens the champagne.] MacLEOD - We are everybody. ANNE - Just you and me? [He pours the champagne.] MacLEOD - If you want, I could invite a few friends. [She takes a glass from him.] ANNE - That's okay. [beat] You do this often? MacLEOD - No...
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SCENE TWELVE
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SCENE THIRTEEN
ANNE - [to convince herself] Jennings is on back up. Let them call him in for once. [beat] Where were we? [MacLeod places her head against his chest and holds her close.] MacLEOD - About here, I think. ANNE - Go on. [She smiles. They continue to dance. The beeper goes off again. They both know she can't ignore it.]
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SCENE FOURTEEN
ANNE - Are you going to be mad about this? MacLEOD - [a little surprised] Why would I be? ANNE - [still guilty] All the trouble you went to. MacLEOD - Anne. It's part of the package. Who you are. [beat] I'll walk you out. [He hands her the beeper. Her hand closes over his as she takes it. As they move to the door--] ANNE - I'm only on call for three more hours tonight. Maybe you could come by the hospital... If you're up. MacLEOD - Maybe I will.
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SCENE FIFTEEN
This line was not in the original shooting script.
BACK to transcript.
SCENE SIXTEEN
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SCENE SEVENTEEN
INT. DOJO OFFICE – NIGHT [Richie is at the desk in a pool of light, hunched over a portable computer.] RICHIE - [to the computer] What do you mean, "File Not Found?" I gotta find those damn invoices.
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SCENE EIGHTEEN
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SCENE NINETEEN
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SCENE TWENTY
The flashbacks to previous clips from the episode as DM remembers his friend were not in the original shooting script.
BACK to transcript.
SCENE TWENTY-ONE
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BACK to Transcripts Page
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