SEASON THREE
Episode 18: Testimony

Scenes from the DVD set's "Final Shooting Script"
that do not appear in the episode.

 

SCENE ONE

 
MacLEOD - What could be simpler? [beat] Maybe explaining to a couple thousand people at the track why you're not dead.
 

BACK to transcript.

 

SCENE TWO
(In the shooting script, this scene was not intercut with the cafe scene.)

INT. AIRPORT - CUSTOMS LINE - SAME TIME

[Anne, carrying a small overnight, glances at her own watch. Any minute now she'll be face to face with MacLeod. She's excited, apprehensive, distracted and doesn't hear...]

CUSTOMS OFFICER - Madame? [off Anne's look] Your passport?

[A beat -- Anne suddenly realizes he's talking to her.]

ANNE - Sorry, I'm meeting someone, and I was just... Passport. Right. [She fumbles to get her passport out.]
 

BACK to transcript.

 

SCENE THREE

 
MacLEOD - Getting a phone call is one thing, seeing me is something else.
 

BACK to transcript.

 

SCENE FOUR

 
[ANGLE - The doors as they bang open. The Security Guard exits, running interference for a gurney wheeled by two medicos. Tasha is riding on top -- Anne running along beside her. MacLeod stares.]

[ANNE'S POV - HANDHELD - MacLeod looking nonplused as they race towards him. She sees him, tosses off as they wheel right past him without slowing.]

ANNE - Follow us!

MacLEOD - Where?!

ANNE - I don't know!

[Then they're out the doors, gone. MacLeod stands a beat: this isn't exactly how he pictured their meeting. He turns, sees the man staring at him, open-mouthed.]

MacLEOD - Like I said. Complicated.

[He hands the rose to the man and he's gone.]
 

BACK to transcript.

 

SCENE FIVE

INT. HOSPITAL - CORRIDOR NEAR EMERGENCY ROOM - DAY

ANNE - [O.S.] Tasha? Is that your name?

[A bustling hospital. The gurney rolls into view, Tasha writhing on top, trying to nod her answer, biting her lip in pain as Anne runs beside, probing Tasha's abdomen.]

ANNE - Okay, Tasha, stay with me on this. Is the pain worse? [off Tasha's nod] Where... here?

[She probes. Tasha gasps, writhes in sudden pain. Anne frowns. Something weird about this.]

ANNE - Hang in there, we're gonna get you some help real fast.
 

BACK to transcript.

 

SCENE SIX

 
ANNE - One second she's beside me in line, next she's on the floor, swear to God, Duncan, I don't think they even stamped my passport...

[MacLeod is smiling gently. A beat -- then it hits Anne. She's talking to MacLeod. Alive.]
 

BACK to transcript.

 

SCENE SEVEN

INT. STORAGE ROOM - LATER - DAY

[A modest-sized room in an old building. Displayed in glass cases or on the walls, we see an eclectic assortment of hundreds of mementos from MacLeod's life: his HIGHLAND REGIMENT TUNIC, a GOLD RING, a mid-19th Century SHOTGUN, a JADE BUDDHA, lacquered JAPANESE BOX, some BOOKS, a MAILED GLOVE, a HIGHLAND KILT.]

[CLOSE - A HUGE CLAYMORE] ANNE - [O.S., dazed] Four centuries.

[WIDEN - MacLeod holds the sword for Anne's inspection. He has been explaining the basics of Immortality to her.]

MacLEOD - I know it's hard to accept. [beat] I thought coming here might help.

[She hefts the heavy sword in wonder.]

MacLEOD - My father's. I claimed it after he died.

[He takes the weapon, replaces it on the wall. Anne approaches the Highland Regiment tunic.]

MacLEOD - Battle of Waterloo.
 

BACK to transcript.

 

SCENE EIGHT

 
ANNE - I mean, not getting sick...

MacLEOD - We get sick. We just heal.
 

BACK to transcript.

 

SCENE NINE

 
[Anne nods mutely, touches a gold ring on a velvet casing.]

MacLEOD - Present from Bonnie Prince Charlie.

[Anne shakes her head. It's getting to be too much.]
 

BACK to transcript.

 

SCENE TEN

 
MacLEOD - Medically speaking, I'd say you just had a pretty traumatic half hour.

[They turn to go, but there's something on Anne's mind.]

ANNE - Mind taking a detour? [off his look] I know she's not my patient, but I just feel...

MacLEOD - Responsible, I know.

[She kisses him, takes his arm, and they head out.]
 

BACK to transcript.

 

SCENE ELEVEN

 
[Anne is taken aback. Looks at MacLeod.]

ANNE - She's just a kid.

MacLEOD - A kid with big problems. [beat] You called the police?

CHANDON - They're on their way.

ANNE - I was wondering if I could see her.

CHANDON - Of course. [beat] You saved her life. [turns and moves off]

MacLEOD - I'll be waiting.

[Anne nods and enters Tasha's room. MacLeod turns back to the corridor and watches vigilantly.]
 

BACK to transcript.

 

SCENE TWELVE

This scene was not in the original shooting script.

BACK to transcript.

 

SCENE THIRTEEN

These lines were not in the original shooting script.

BACK to transcript.

 

SCENE FOURTEEN

 
MacLEOD - Just like that. [writes quickly on a note, hands it to Richie] It'll take a day. You can stay here.
 

BACK to transcript.

 

SCENE FIFTEEN

 
ANNE - You carried the drugs, Tasha. You got busted. What can I tell you?
 

BACK to transcript.

 

SCENE SIXTEEN

EXT. RUSSIAN STEPPES - 1750 - DAY

[PAN UP to find MacLeod, heavily dressed, on horseback. He's squeezing a goatskin water bag into his mouth. As he finishes drinking, straps the goatskin back to his saddle -- MACLEOD'S POV - Bohdan on horseback, fifty yards away. A giant Cossack in fur vest and boots, mustache framing his broad peasant jaw like a rope -- he's so ugly he's charming.]

MacLEOD - [calls out] I'm passing through. I don't want trouble.

[Bohdan breaks into a broad, gap-toothed grin. He shakes his great head, draws his saber -- and charges.]

MacLEOD - Have it your way. [draws his own saber and charges]

[WIDER - THE TWO FIGHTERS as they meet. Bohdan grins wings with powerful blows that MacLeod blocks. They circle, jockeying for position. Then MacLeod makes an unexpected move--]

[CLOSE - BOHDAN'S SADDLE as MacLeod slips his saber under the saddle-strap, slices -- Bohdan's saddle is loose. As his horse bolts, the surprised Cossack sails off, lands heavily on the ground.]

[CLOSE - BOHDAN as he pushes up on his elbows, still bewildered and finds MacLeod's saber at his neck. He looks up to MacLeod, who stands over him.]

MacLEOD - You can stop, or you can die. Your choice.

[Bohdan stares at him a beat, open-mouthed... then to MacLeod's surprise, he laughs -- a gut-wrenching roar.]

MacLEOD - What's funny?

[Bohdan roars again, clambers to his feet, gasping.]

BOHDAN - By God, you unhorse a Cossack! You beat Bohdan! Nobody beats Bohdan!

[Beaming, ignoring MacLeod's sword completely, he grabs MacLeod in a huge bear-hug, squeezes him painfully.]

BOHDAN - Come to our camp tonight! We feast!

MacLEOD - How? Your horse ran off.

BOHDAN - [grabs MacLeod's horse's reins] Then we go on yours.

[MacLeod crooks his hands to hoist Bohdan onto his horse, gritting his teeth with the effort.]

MacLEOD - If he doesn't drop dead.

[MacLeod follows him up, and they totter off.]
 

BACK to transcript.

 

SCENE SEVENTEEN

 
[There are shouts, hands go quickly to sabers. As a large Cossack reaches for MacLeod -- Bohdan slips off the horse, lands with surprising agility on his feet and swings, double fisted, knocks the man sailing.]

BOHDAN - He's my friend. You fight him... you fight Bohdan first.

[He's not expecting any takers. There aren't any.]
 

BACK to transcript.

 

SCENE EIGHTEEN

These lines & scene were not in the original shooting script.

BACK to transcript.

 

SCENE NINETEEN

 
KRISTOV - Anyone who can drop Bohdan on his rump deserves a celebration.

[Bohdan roars, slaps MacLeod again with his meaty hand as they move back to the fires. They pass the man Bohdan knocked down. He is still out cold.]

MacLEOD - What about him?

BOHDAN - He's fine. He's my brother.
 

BACK to transcript.

 

SCENE TWENTY

 
BOHDAN - The Kazatska!
 

BACK to transcript.

 

SCENE TWENTY-ONE

 
[He's drowned out as the music starts -- no backing out now. He crouches and starts, awkward at first, one leg then the other, going faster... he's getting the hang of it. He grins, lifts his arms -- no hands. The Cossacks go wild. As he stands -- Bohdan lobs him a vodka bottle and the clapping starts. MacLeod shrugs -- no way to avoid this either. He upends the bottle -- sucks it down to rhythmic clapping. He's still sucking as he topples over backwards, out cold, lands with a thud to wild cheers.]

BOHDAN - He'll make a Cossack yet!
 

BACK to transcript.

 

SCENE TWENTY-TWO

These lines were not in the original shooting script.

BACK to transcript.

 

SCENE TWENTY-THREE

 
MacLEOD - [with a sense of foreboding] And there are always enemies, aren't there.

[Kristov smiles and gallops away, over to a pocket of men. Bohdan rides up to MacLeod, grinning.]

BOHDAN - Come, we ride together!
 

BACK to transcript.

 

SCENE TWENTY-FOUR

These lines were not in the original shooting script.

BACK to transcript.

 

SCENE TWENTY-FIVE

 
[MACLEOD'S POV - The village wall and a peasant family cowering there: a man, a boy, women and children. They're trapped by a Cossack -- it's Bohdan. CLOSER - The peasants - the man falls to Bohdan's sword. A brave teenage boy raises a pathetic staff to ward it off. As Bohdan is about to bring his sword down -- MacLeod knocks it away. As Bohdan stares in surprise, MacLeod turns to the stunned peasants behind him.]

MacLEOD - To the forest! RUN!

[Most of them do. MacLeod turns back to Bohdan -- the giant has a puzzled, almost hurt look.]
 

BACK to transcript.

 

SCENE TWENTY-SIX

 
BOHDAN - Kristov says we can't.

MacLEOD - You don't have to listen to him.

[Bohdan shakes his great head, a man of simple faith.]

BOHDAN - He leads us. [troubled] You are my friend. It would be wrong to kill you.
 

BACK to transcript.

 

SCENE TWENTY-SEVEN

 
[MacLeod looks at the carnage around him and what has happened. A small boy still cowers near the wall. MacLeod reaches down.]

MacLEOD - Come, I'll take you to safety.

[He swings the boy up behind him. He turns and rides away.]
 

BACK to transcript.

 

SCENE TWENTY-EIGHT

 
RICHIE - I never figured it turning out like this. If there was any way to change what happened...

MacLEOD - I know. But there never is.
 

BACK to transcript.

 

SCENE TWENTY-NINE

These lines were not in the original shooting script.

BACK to transcript.

 

SCENE THIRTY

EXT. KRISTOV'S HOUSE - NIGHT

[Two of Kristov's thugs, RAZIN and STENKA, are exchanging smokes in the entranceway. As Razin reaches in his pocket for a match--]

MacLEOD - [O.S.] [in Russian] Light?

[Razin turns -- MacLeod's fist takes him squarely on the chin. As he drops, Stenka pulls a squat machine-pistol from his jacket -- MacLeod grabs it, hammers him against the wall with it. Stenka goes down. MacLeod tosses the gun into the bushes and goes for the door.]
 

BACK to transcript.

 

SCENE THIRTY-ONE

INT. KRISTOV'S HOUSE - HALLWAY - SAME TIME

[As Kristov moves down the halls of the great house, Fyodor hurrying at his side, gun in hand.]

KRISTOV - Get to the country house. We'll take care of Tasha later.

[NEW ANGLE as they turn a corner and come face to face with MacLeod.]

MacLEOD - That's an optimistic thought.

[A beat as they stand there, no one moving.]
 

BACK to transcript.

 

SCENE THIRTY-TWO

EXT. KRISTOV'S HOUSE - COURTYARD - NIGHT

[As MacLeod enters, his sword out, ready to face Kristov... there's a figure kneeling on the stone, head down, leaning on his sword, exhausted. A beat -- Richie slowly lifts his head, manages a weak smile.]

RICHIE - I won.

MacLEOD - I could tell.
 

BACK to transcript.

 

SCENE THIRTY-THREE

These lines were not in the original shooting script.

BACK to transcript.

 

BACK to Transcripts Page

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