SEASON FOUR
Episode 3: The Innocent
Scenes from the DVD set's "Final Shooting Script"
that do not appear in the episode.
SCENE ONE
These lines were not in the original shooting script.
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SCENE TWO
These lines were not in the original shooting script.
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SCENE THREE
These lines were not in the original shooting script.
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SCENE FOUR
RICHIE - He didn't mean it, Mac. MacLEOD - [exasperated] I know.
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SCENE FIVE
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SCENE SIX
MacLEOD - What happened, Mikey? MIKEY - Helen was making noise.
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SCENE SEVEN
KING - I'm the kind of guy who likes to finish what he starts.
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SCENE EIGHT
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SCENE NINE
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SCENE TEN
MacLEOD - [to Mikey] Run, Mikey. [off his hesitation] RUN! [Mikey is already at the door. He runs from the dojo, screaming in terror.] KING - You should have given him to me. [King backs MacLeod up against the heavy bag. He slashes viciously at him but MacLeod jumps aside just in time. The saber slices the heavy bag open. King lunges again. MacLeod uses King's momentum against him. He pulls King's sword arm toward him with his left hand and drives a powerful right hand into his chin. King goes down, stunned for the moment, as three men enter the dojo to work out. MacLeod looks at the three men, then at King, then takes off after Mikey.] MacLEOD - Mikey!
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SCENE ELEVEN
CABBIE - That's right, moron! Walk right in front of the car. [Resume Mikey -- the honk of the horns and the angry voices terrify him. He walks onwards, dazed and confused, his hands over his ears.]
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SCENE TWELVE
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SCENE THIRTEEN
This scene was not in the original shooting script.
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SCENE FOURTEEN
INT. ROUNDHOUSE - DAY [The Roundhouse is an old unused train facility, with loading platforms, railbeds and several tall signal posts which are festooned with rail traffic lights. MacLeod finds King circling quietly in the middle of the shadowy building. They face off with each other.] KING - [looking around] Nice venue. Private, out of the way. [pulling out his sword] Want to go round and round? MacLEOD - Don't you have anything better to do? KING - I told you I never leave anything unfinished.
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SCENE FIFTEEN
EXT. TRAIN YARDS - SQUAD CAR - DAY [MacLeod moves from the roundhouse. He approaches the two fallen officers. He feels for a pulse on one and sighs with relief. He moves toward the other and reacts -- the look on his face tells you the man is dead. MacLeod reacts to the sound of approaching police sirens and moves off.]
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SCENE SIXTEEN
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SCENE SEVENTEEN
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