SEASON FOUR
Episode 11: Timeless
Scenes from the DVD set's "Final Shooting Script"
that do not appear in the episode.
SCENE ONE
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SCENE TWO
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SCENE THREE
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SCENE FOUR
[She sits herself down and does a little trial run. It's not perfect, but then, few things are.] CLAUDIA - (CONT'D) You've done better. MacLEOD - [to the tuner] Thank you. [The tuner gathers his kit and exits. MacLeod presses a piano key, she smacks his hand. He grins.]
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SCENE FIVE
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SCENE SIX
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SCENE SEVEN
EXT. STREET - DAY [MacLeod and Claudia stroll down a quiet back street.] CLAUDIA - Who are these so-called friends of yours we're meeting? MacLEOD - Relax, would you. It might actually do you some good to get out of the limelight for a minute. CLAUDIA - [patronizing] Oh, and meet some "real" people for a change. MacLEOD - [hides a smile] Almost ...
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SCENE EIGHT
WALTER (as "Petruchio") - They shall go forward, Kate, at thy command. Obey the bride, you that attend on her. Go to the feast, revel and domineer, Carouse full measure to her maidenhead, Be mad and merry, or go hang yourselves. [THE AUDIENCE howls, pointing at the awkward Kate, ribbing each other and hollering insults.] WALTER (as "Petruchio") - But for my bonny Kate, she must with me. Nay, look not big, nor stamp, nor stare, nor fret...
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SCENE NINE
BAPTISTA - Nay, let them go, a couple of quiet ones. GREMIO - Went they not quickly, I should die with laughing. TRANIO - Of all mad matches never was the like. LUCENTIO - Mistress, what's your opinion of your sister? BIANCA - That being mad herself, she's madly mated. GREMIO - I warrant him, Petruchio is Kated. BAPTISTA - Neighbors and friends, though bride and bridegroom wants, For to supply the places at the table, you know there wants no junkets at the feast. [to Tranio] Lucentio, you shall supply the bridegroom's place, And let Bianca take her sister's room. TRANIO - Shall sweet Bianca practice how to bride it? BAPTISTA - She shall, Lucentio. Core, gentlemen, let's go. [They exit the stage to much applause.]
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SCENE TEN
[He turns to greet the other actors as they come off the stage. On disgruntled, itchy MacLeod...]
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SCENE ELEVEN
INT. DOJO - NIGHT [MacLeod is incredulous as he pulls Walter aside.] MacLEOD - [sotto voce] That was you in the car?! WALTER - Of course. [An anxious look toward Claudia, caught up in her music. MacLeod steers Walter to the elevator.]
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SCENE TWELVE
The Shakespeare book and related lines were not in the original shooting script.
SCENE THIRTEEN
This line was not in the original shooting script.
BACK to transcript.
SCENE FOURTEEN
METHOS - I'm telling you, I haven't felt this way since... well, you don't want to know. MacLEOD - She seems very... nice. METHOS - She's more than nice.
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SCENE FIFTEEN
EXT. BANKS OF THE SEINE - DAY (SCENE FROM "FOR EVIL'S SAKE") [MacLeod looks around for a moment. A vedette is passing by in the water in front of him. He makes a decision and leaps from the bank onto.] TESSA - (O.S.) Hey, what are you doing?
EXT. VEDETTE - DAY (SCENE FROM “FOR EVIL'S SAKE") [Where an assortment of tourists react. MacLeod is cool as ever, reacts as though nothing out of the ordinary has happened.] MacLEOD - I'm sorry. I didn't want to miss the boat. [We cut to see the police on the bridge. MacLeod walks to an empty seat.] TESSA - What do you think you're doing? MacLEOD - Ah, I didn't want to miss the tour. TESSA - Is this the way you always make an entrance? MacLEOD - I was trying to make an impression. TESSA - You did. Bravo. [beat] You could have been hurt and there's another boat in fifteen minutes. [MacLeod looks her directly in the eyes.] MacLEOD - I wanted this one. [Tessa is caught off guard.] TESSA - I... You... [Tessa eyes him with a mixture of humor and attraction, then turns back to her tour.] TESSA - (CONT'D) I'm sorry for this interruption, ladies and gentlemen. [with a smile] I told you Paris was full of surprises. [beat] Behind you we have the Cathedral of Notre Dame. Construction began in 1163 and was completed in 1342. [MacLeod smiles sheepishly and raises his hand.] TESSA - (CONT'D) Yes ... what do you want? MacLEOD - It was completed in 1345. TESSA - [incredulous] What? MacLEOD - Notre Dame was completed in 1345. TESSA - How do you know? [beat] I suppose you were there? MacLEOD - [smiles] Well, no actually it was a little bit before my time. TESSA - Anyway, as I said, construction was completed in 1343. MacLEOD - Five. TESSA - Three. The Seine divides Paris in two parts. This is the left bank. [We cut to shots of Paris.]
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SCENE SIXTEEN
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SCENE SEVENTEEN
MacLEOD - (CONT'D) [resigned] Must be time for her noon feeding.
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SCENE EIGHTEEN
These lines were not in the original shooting script.
BACK to transcript.
SCENE NINETEEN
CLAUDIA - Hello! Would somebody like to pay a little attention to me?! MacLEOD - [dry] It's what I live for. [They move to join her.]
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SCENE TWENTY
These lines were not in the original shooting script.
BACK to transcript.
SCENE TWENTY-ONE
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SCENE TWENTY-TWO
In the original shooting script, this scene was described as: MOUNTAIN OVERLOOK WITH A PANORAMIC VIEW
BACK to transcript.
SCENE TWENTY-THREE
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SCENE TWENTY-FOUR
MacLEOD - Through those doors is Holy Ground. No one can kill you there.
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SCENE TWENTY-FIVE
MacLEOD - Promise what? WALTER - [beat] I promise to leave her alone.
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SCENE TWENTY-SIX
WALTER - I did. MacLEOD - You're getting better. WALTER - You really think so?
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