SEASON FIVE
Episode 9: The Messenger

Scenes from the DVD set's "Final Shooting Script"
that do not appear in the episode.

 

SCENE ONE

 
MESSENGER - You're holding your sword.

[There's gentle reproof in the tone. Richie snorts, takes a better grip on his sword.]

RICHIE - You got that right, Einstein.

MESSENGER - But all I want to do is talk.

RICHIE - What about? The weather? Shaq's game? [beat] Or what you're gonna do with my head?

MESSENGER - Peace.

[The word hangs in the air, simple and surprising.]

RICHIE - Good line, pal... but no dice.
 

BACK to transcript.

 

SCENE TWO

EXT. WOODS - GEORGIA - 1864 - DAY

[MacLeod and JEFFREY, a recently freed slave, are running through the woods. ANOTHER ANGLE: A Confederate PATROL is moving through the trees, on the alert. MACLEOD AND JEFFREY splash through a stream. Jeffrey stumbles and MacLeod slows.]

MACLEOD - Let's stop a minute.

[Jeffrey comes to a stop, breathing hard, resting hands on thighs as he recovers from the run. MacLeod is winded as well. He takes a swig from his canteen, offers it to Jeffrey. Jeffrey is reaching for it when MACLEOD reacts to the sound of a branch breaking. TWO CONFEDERATE SOLDIERS step out from behind the trees nearby, guns leveled at MacLeod and Jeffrey. JEFFREY raises his hands slowly.]

JEFFREY - You got us.

CONFEDERATE - You bet we do.

[He cocks his rifle to fire. Jeffrey's eyes widen in fear. MACLEOD reaches for his pistol. The Confederate Soldier swings his rifle toward MacLeod -- as he expected -- but:]

JEFFREY - NO!

[JEFFREY rushes in front of MacLeod. He goes down hard as he takes the bullet in the leg. TWO MORE CONFEDERATE SOLDIERS emerge from cover. MacLeod and Jeffrey are surrounded. MACLEOD crouches over Jeffrey, stemming the blood, his gun forgotten on the ground beside him. A soldier prods him with a rifle barrel.]

CONFEDERATE - On your feet.

MACLEOD - That bullet shattered his leg. He can't walk!

CONFEDERATE - Then you're gonna carry him. [He points MacLeod's pistol at Jeffrey's head.] Or he's staying here.

[MacLeod helps Jeffrey up.]
 

EXT. ANDERSONVILLE PRISON - 1864 - DAY

[A wooden stockade, with high walls, and a fenced off HUT at one end. Through the FORT GATES, several UNION PRISONERS are marched at bayonet-point by thin, predatory CONFEDERATE GUARDS. The new arrivals are mostly intact: uniformed and disciplined, with some walking wounded. Among them -- MacLeod, wearing civvies, helps JEFFREY, a young ex-slave. Jeffrey has a stained bandana tied around a leg wound, and he limps painfully.]

JEFFREY - We don't belong in here, Mr. MacLeod. We ain't even soldiers.

MACLEOD - We'll be okay, Jeffrey. Just stay close. I'm gonna take care of you.

[Jeffrey is too slow, and HICKSON, a tough Confederate Sergeant with a handlebar moustache, prods him.]

MACLEOD - (CONT'D) Let him be. Can't you see he's wounded?

HICKSON - You ride with the devil, you fry with the devil. [beat] Now get goin'. [re Jeffrey] And tell the slave he better hurry.
 

BACK to transcript.

 

SCENE THREE

 
JEFFREY - I feel better, Mr. MacLeod. The leg don't hurt any more...

MACLEOD - The nerves are dead.
 

BACK to transcript.

 

SCENE FOUR

INT. CULBRAITH'S QUARTERS - ANDERSONVILLE - 1864 - MORNING

[Culbraith is getting dressed as Hickson enters and stands at attention at the door. He has a dispatch.]

HICKSON - I beg your pardon, sir, but the courier said it was urgent. It's from your brother-in-law.

CULBRAITH - Very well, Sergeant, come in.

[Culbraith reads the dispatch silently to himself. As he reads, his face is covered with despair.]

SAD SOUTHERN VOICE (V.0.) - Dear Colonel, Georgia is burning from Atlanta to the sea. Thousands have died. It grieves me to tell you this, but your wife... my sister... and the children...

[A voice interrupts.]

MACLEOD - (O.S.) Colonel Culbraith.

[Culbraith says nothing. His face hardens into a mask that is beyond pain, beyond hate. MACLEOD stands in the doorway under the watchful eye of a couple of Confederate soldiers.]
 

BACK to transcript.

 

SCENE FIVE

 
[Culbraith nods to the guards. They level their rifles, back MacLeod out of the hut.]
 

BACK to transcript.

 

SCENE SIX

EXT. ANDERSONVILLE PRISON - DAY

[MacLeod moves back to Jeffrey, sits beside him. Jeffrey is breathing hard, bathed in sweat.]

MACLEOD - I'm sorry.

[It's all he can say. Jeffrey closes his eyes in anguish, knowing the doctor isn't coming, that there's no hope.]

JEFFREY - You tried. You did what you could.

[MacLeod cradles Jeffrey, holding his head up, wipes his fevered brow.]

MACLEOD - It wasn't enough.
 

BACK to transcript.

 

SCENE SEVEN

The act/commercial break happens here in the original shooting script.

BACK to transcript.

 

SCENE EIGHT

 
MacLEOD - And if he gets killed doing it?

METHOS - Then nobody's going to be looking for me.
 

BACK to transcript.

 

SCENE NINE

 
RICHIE - You're putting me on, right?

MACLEOD - I'm afraid not.

[Richie looks from Methos, to MacLeod and Dawson.]

RICHIE - This guy isn't Methos. He's Adam Pierson.

METHOS - I was for a while. [beat] I gave it up.

RICHIE - I mean, look at him. He's way too...

METHOS - Yes...?

RICHIE - Ordinary.

METHOS - [looks at MacLeod, shrugs] Maybe I should grow a beard.

[He starts away. MacLeod pulls him back. Richie looks to Dawson for help.]
 

BACK to transcript.

 

SCENE TEN

 
RICHIE - Are you sure? [beat] I mean, that's what HE said. How do you know it's true?

[MacLeod and Dawson trade looks.]

DAWSON - He's got a point, Mac.

[MacLeod looks to Methos, expecting him to launch into a convincing speech. Instead, Methos shrugs.]

METHOS - I did my part. [to MacLeod] You did yours. [re Richie] And he's gonna believe what he wants to.
 

BACK to transcript.

 

SCENE ELEVEN

 
METHOS - It worked.

RICHIE - He didn't know it would.
 

BACK to transcript.

 

SCENE TWELVE

 
[Culbraith reacts to the name. A myth has come to life.]

CULBRAITH - You're not real.

MESSENGER - I think I am.
 

BACK to transcript.

 

SCENE THIRTEEN

 
MESSENGER - Make the scars any easier to bear? [beat] Your home was destroyed by the Union army. Your family killed... your wife violated.

[Culbraith stares at him, lowers his sword.]

CULBRAITH - Sherman's March.
 

BACK to transcript.

 

SCENE FOURTEEN

FLASHBACK - 1816 - CLIP FROM "BAND OF BROTHERS"

[MacLeod leaves for the new world, telling Darius that he can't be like him.]
 

BACK to transcript.

 

SCENE FIFTEEN

 
MACLEOD - Why do you think Darius lived on Holy Ground? You don't make peace by throwing away your sword.

MESSENGER - I have.
 

BACK to transcript.

 

SCENE SIXTEEN

 
MESSENGER - If you would, then kill me first. [He holds MacLeod's eyes.] Choose life, my friend.
 

BACK to transcript.

 

SCENE SEVENTEEN

 
MESSENGER - That's what people think.
 

BACK to transcript.

 

SCENE EIGHTEEN

 
MESSENGER - [smiles the smile of a Gandhi] What else is my life good for?
 

BACK to transcript.

 

SCENE NINETEEN

 
METHOS - You don't have to be five thousand years old to have a rap like that.
 

BACK to transcript.

 

SCENE TWENTY

 
METHOS - Richie at least has an excuse. He's young, and the young think with every body part except the brain.
 

BACK to transcript.

 

SCENE TWENTY-ONE

The shooting script scene order for Act Three is:

Garden (Methos)
Joe's Bar
Garden (Richie)
Church
Garden (Culbraith)

BACK to transcript.

 

SCENE TWENTY-TWO

This line was not in the original shooting script.

BACK to transcript.

 

SCENE TWENTY-THREE

EXT. MESSENGER'S SEASIDE COTTAGE - GARDEN - DAY

[The Messenger is sitting there saying nothing, just looking at Richie.]

RICHIE - What is it? [The silence draws out. Richie grows uncomfortable.] I've been here for twenty minutes and you haven't said a word.

MESSENGER - Go home, Richie.

RICHIE - Why? What'd I do?

MESSENGER - Your sword. [He smiles gently. Richie's hand goes to it.] It's all right.
 

BACK to transcript.

 

SCENE TWENTY-FOUR

 
MESSENGER - I don't want the temptation or the opportunity.
 

BACK to transcript.

 

SCENE TWENTY-FIVE

 
RICHIE - Why else am I here?

MESSENGER - Listen to me. If you do this... if you join me... you may die. Others have. [beat] You're risking everything, Richie. Don't let go of that blade unless you're sure.
 

BACK to transcript.

 

SCENE TWENTY-SIX

In the original shooting script, this scene and the scene with Culbraith in the garden are swapped. The garden scene ends Act Three, and this scene starts Act Four.

BACK to transcript.

 

SCENE TWENTY-SEVEN

INT. MACLEOD'S LOFT - NIGHT

[MacLeod comes out from the kitchen area as Richie steps in from the elevator. Richie's manner is tentative -- he's made a decision, but isn't sure how to announce it.]

MACLEOD - [beat] You hungry? [Richie shakes his head.] Don't suppose you came for a workout either. [beat] So. What happens now?
 

BACK to transcript.

 

SCENE TWENTY-EIGHT

 
CULBRAITH - This is how I am. This is me. I can't be anything else.
 

BACK to transcript.

 

SCENE TWENTY-NINE

 
METHOS - So. The Pied Piper gets another one.
 

BACK to transcript.

 

SCENE THIRTY

In the original shooting script, these scenes take place entirely after the scene in the dojo office, not intercut.

 
RICHIE - [stares in horror] All he wanted was to save us! To stop the killing!

CULBRAITH - Only one problem, son. [beat] I came to like the killing.

[He SWINGS. Richie dodges, and the sword strikes the chair, splintering it. Richie turns and vaults off the porch, into the darkness. Culbraith moves after Richie.]

 

EXT. BEACH - NEAR MESSENGER'S COTTAGE - CONTINUOUS

[Richie scrambles along the beach, Culbraith right after him. Richie grabs a length of WOOD RAILING, and brandishes it.]

CULBRAITH - Putting up a fight.
 

BACK to transcript.

 

SCENE THIRTY-ONE

 
MACLEOD - You got all that from the locker room walls?
 

BACK to transcript.

 

SCENE THIRTY-TWO

 
METHOS - Thank you. It's all a matter of anticipation.

DAWSON - Really. Here, have one on me.

[He lifts a brimming glass -- and TIPS it onto Methos' lap. Methos jumps up, drenched.]

METHOS - What the hell was that?!

DAWSON - Just one of those unforeseen dilemmas. [beat] Surprised you didn't anticipate it.
 

BACK to transcript.

 

SCENE THIRTY-THREE

INT. MACLEOD'S LOFT - DAY

[MacLeod and Methos are there. Richie leans against the counter, looking somber and drained. He's been through an emotional wringer.]

RICHIE - I don't even know what his real name was.

MACLEOD - Does it matter?

RICHIE - [shakes his head] I'm sorry he's gone. Maybe he wasn't Methos. Maybe he wasn't right... [beat] But he was good.

MACLEOD - Yes, he was. [in earnest] And for a moment you thought... you hoped real peace for us was possible. [off Richie's nod] Me too.
 

BACK to transcript.

 

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