SEASON SIX
Episode 11: Indiscretions
Scenes from the DVD set's "Final Shooting Script"
that do not appear in the episode.
SCENE ONE
ACT ONE FADE IN: EXT. CAFE - DAY [Methos sits at a cafe, nursing a drink. Suddenly, he gets the BUZZ. He tenses, scans the sidewalk as -- WALKER crosses toward him.] WALKER - Well, well... who do we have here? The good Doctor Adams. [Methos starts to rise. Walker puts a firm hand on his shoulder, forcing Methos back down into his seat.] WALKER - (CONT'D) If that's who you are now. Don't get up on my account. [Walker sits, Methos nods curtly.]
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SCENE TWO
WALKER - [standing] On your feet. METHOS - Love to oblige, really, but I've ordered another drink. Perhaps some other time... WALKER - Now. [A group of chattering ASIAN TOURISTS arrive at the cafe. The Tourists sit at the next table.] METHOS - Ah! I see my party has arrived. [He pulls his chair up to their table, much to the surprise of the Tourists. An awkward BEAT, then--] METHOS - (CONT'D) [to Tourists] So, how 'bout that Louvre, eh? [Walker grabs Methos by the arm. Methos looks up at Walker, feigns surprise--] METHOS - (CONT'D) Oh, I'm sorry... care to join us? [Walker's stymied. There's nothing more he can do now. With a last deadly glance at Methos, he turns on his heels, walks away. Methos looks into a sea of curious tourist faces. He smiles beguilingly.] METHOS - (CONT'D) Drinks all round. On me.
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SCENE THREE
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SCENE FOUR
This line was not in the original shooting script.
BACK to transcript.
SCENE FIVE
EXT. DOCKS - NEW ORLEANS - 1808 - NIGHT [It's a gloomy night. Waves can be heard lapping against the pier, but the docks are shrouded in a dense fog. All we can see is a few boxes and shipping crates. A BOSUN secures one of the crates with thick rope. His ASSISTANT leads a group of SLAVES in chains. WALKER emerges from the fog in sea togs and captain's cap, duffle bag in hand.] WALKER - (CONT'D) [to Bosun] Have the steward lay in fresh water and tack. We sail again in two days. BOSUN - (O.S.) Aye, Captain. [The Bosun nods, moves off into the fog. Suddenly, a SHOUT. Walker peers into the mist to see -- Two young MALE SLAVES struggling in the grip of two SAILORS as they're dragged toward Walker.]
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SCENE SIX
These lines were not in the original shooting script.
BACK to transcript.
SCENE SEVEN
[THEIR POV: Through the front windows, Dawson can be seen walking inside the bar.] STEIN - (O.S.) - That's him. [RESUME SCENE - Beck pulls his gun, checks the clip.] STEIN - We're here to grab him, not waste him. BECK - [nods reluctantly] Yes, mother. STEIN - [gestures out the window] Heads up. [They see Dawson leave the bar, heads toward his car.]
EXT. LE BLUES BAR - CONTINUOUS [Beck and Stein get out of the car, head across the street, toward DAWSON who's unlocking his car door. Stein checks the street -- pedestrians crowd the sidewalk... a young COUPLE walk arm-in-arm, two ELDERLY MEN argue, a NANNY pushes a baby carriage... Stein puts out a hand, stopping Beck in his tracks.] STEIN - We don't need an audience. [Dawson shuts his car door, starts his engine.] C'mon. [Stein and Beck jog back to the sedan.]
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SCENE EIGHT
Joe only refers to Amy by first name here in the original shooting script, which never actually gives Amy a last name.
BACK to transcript.
SCENE NINE
[She moves toward him, but he pushes her aside, blows on past. He throws open the bedroom door and storms into--]
INT. BEDROOM - NEW ORLEANS - 1808 - CONTINUOUS [WALKER'S POV: The bed sheets are still tousled. CAMERA PANS to the curtains blowing in the breeze from the open french doors.] [ON WALKER as he seethes with rage. CHARLOTTE stands terrified in the doorway.] CHARLOTTE (CONT'D) You're tired, Captain. I'll make you some supper. Maybe a hot bath? [Walker explodes. He grabs her roughly by the arm and throws her back on the bed.]
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SCENE TEN
METHOS - How does dinner in Switzerland sound?
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SCENE ELEVEN
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SCENE TWELVE
In the original shooting script, this scene transitions directly from "You got a better idea?" to Methos' thumb.
BACK to transcript.
SCENE THIRTEEN
METHOS - Like they'll stop for you and not me? [A TRUCK pulls up. The door flies open.] TRUCK DRIVER - (O.S.) Need a lift?
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SCENE FOURTEEN
INT. WALKER'S OFFICE - NIGHT AMY - I'm no good to you dead. [He smiles indulgently in the poor mortal's direction.] WALKER - You're right. In fact, I'm so worried about your health, we're going to see an old doctor friend of mine. [He pockets the gun, pushing Amy toward the door.] AMY - Doctor...? WALKER - Benjamin Adams. We have an appointment that's long overdue.
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SCENE FIFTEEN
DAWSON - Whatever. METHOS - (CONT'D) Beavis and Butthead. [reconsidering] Well, you get my drift--
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SCENE SIXTEEN
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SCENE SEVENTEEN
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